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Ernstleşmek

Ed.
Galleries
November [2015]
May [2021]

Max Ernst and Dorothea Tanning, Sedona, Arizona, photograph by Bob Towers, 1948

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Max Ernst and Dorothea Tanning, Sedona, Arizona, photograph by Bob Towers, 1948

<img data-attachment-id="37043" data-orig-file="https://futuristika.org/wp-content/uploads/Max-Ernst-and-Dorothea-Tanning-Sedona-Arizona-photograph-by-Bob-Towers-1948.jpg" data-orig-size="450,381" data-comments-opened="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Max Ernst and Dorothea Tanning, Sedona, Arizona, photograph by Bob Towers, 1948" data-image-description="" data-medium-file="https://i2.wp.com/futuristika.org/wp-content/uploads/Max-Ernst-and-Dorothea-Tanning-Sedona-Arizona-photograph-by-Bob-Towers-1948.jpg?fit=450%2C381&ssl=1" data-large-file="https://i2.wp.com/futuristika.org/wp-content/uploads/Max-Ernst-and-Dorothea-Tanning-Sedona-Arizona-photograph-by-Bob-Towers-1948.jpg?fit=450%2C381&ssl=1" src="https://i2.wp.com/futuristika.org/wp-content/uploads/Max-Ernst-and-Dorothea-Tanning-Sedona-Arizona-photograph-by-Bob-Towers-1948.jpg?w=456&h=386&ssl=1" width="456" height="386" data-original-width="456" data-original-height="386" itemprop="http://schema.org/image" title="Max Ernst and Dorothea Tanning, Sedona, Arizona, photograph by Bob Towers, 1948" alt="Max Ernst and Dorothea Tanning, Sedona, Arizona, photograph by Bob Towers, 1948" style="width: 456px; height: 386px;" />

Max Ernst and Dorothea Tanning, Sedona, Arizona, photograph by Bob Towers, 1948

Hannah Wilke, poster for ‘C'est la Vie Rose’, film, 1976, with I Sa Lo, Philadelphia Museum of Art

<img data-attachment-id="37033" data-orig-file="https://futuristika.org/wp-content/uploads/Hannah-Wilke-poster-for-‘Cest-la-Vie-Rrose’-film-1976-with-I-Sa-Lo-Philadelphia-Museum-of-Art.jpg" data-orig-size="428,600" data-comments-opened="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Hannah Wilke, poster for ‘C’est la Vie Rose’, film, 1976, with I Sa Lo, Philadelphia Museum of Art" data-image-description="" data-medium-file="https://i1.wp.com/futuristika.org/wp-content/uploads/Hannah-Wilke-poster-for-‘Cest-la-Vie-Rrose’-film-1976-with-I-Sa-Lo-Philadelphia-Museum-of-Art.jpg?fit=428%2C600&ssl=1" data-large-file="https://i1.wp.com/futuristika.org/wp-content/uploads/Hannah-Wilke-poster-for-‘Cest-la-Vie-Rrose’-film-1976-with-I-Sa-Lo-Philadelphia-Museum-of-Art.jpg?fit=428%2C600&ssl=1" src="https://i1.wp.com/futuristika.org/wp-content/uploads/Hannah-Wilke-poster-for-‘Cest-la-Vie-Rrose’-film-1976-with-I-Sa-Lo-Philadelphia-Museum-of-Art.jpg?w=276&h=386&ssl=1" width="276" height="386" data-original-width="276" data-original-height="386" itemprop="http://schema.org/image" title="Hannah Wilke, poster for ‘C'est la Vie Rose’, film, 1976, with I Sa Lo, Philadelphia Museum of Art" alt="Hannah Wilke, poster for ‘C'est la Vie Rose’, film, 1976, with I Sa Lo, Philadelphia Museum of Art" style="width: 276px; height: 386px;" />

Braco Dimitrijevic, ‘Self Portrait after Dominique Orsini’, 1977

<img data-attachment-id="37034" data-orig-file="https://futuristika.org/wp-content/uploads/braco-dimitrijevic-self-portrait-after-dominique-orsini-1977.jpg" data-orig-size="719,509" data-comments-opened="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="braco-dimitrijevic-self-portrait-after-dominique-orsini-1977" data-image-description="" data-medium-file="https://i0.wp.com/futuristika.org/wp-content/uploads/braco-dimitrijevic-self-portrait-after-dominique-orsini-1977.jpg?fit=719%2C509&ssl=1" data-large-file="https://i0.wp.com/futuristika.org/wp-content/uploads/braco-dimitrijevic-self-portrait-after-dominique-orsini-1977.jpg?fit=719%2C509&ssl=1" src="https://i0.wp.com/futuristika.org/wp-content/uploads/braco-dimitrijevic-self-portrait-after-dominique-orsini-1977.jpg?w=546&h=386&ssl=1" width="546" height="386" data-original-width="546" data-original-height="386" itemprop="http://schema.org/image" title="braco-dimitrijevic-self-portrait-after-dominique-orsini-1977" alt="Braco Dimitrijevic, ‘Self Portrait after Dominique Orsini’, 1977" style="width: 546px; height: 386px;" />

Braco Dimitrijevic, ‘Self Portrait after Dominique Orsini’, 1977

Oxana Yambykh, ‘Evening Game’

<img data-attachment-id="37035" data-orig-file="https://futuristika.org/wp-content/uploads/oxana-yambykh-evening-game.jpg" data-orig-size="900,374" data-comments-opened="" data-image-meta="{"aperture":"2.1","credit":"","camera":"CYBERSHOT","caption":"","created_timestamp":"1151162235","copyright":"","focal_length":"14.3","iso":"100","shutter_speed":"0.016666666666667","title":"","orientation":"1"}" data-image-title="oxana-yambykh-evening-game" data-image-description="" data-medium-file="https://i1.wp.com/futuristika.org/wp-content/uploads/oxana-yambykh-evening-game.jpg?fit=900%2C374&ssl=1" data-large-file="https://i1.wp.com/futuristika.org/wp-content/uploads/oxana-yambykh-evening-game.jpg?fit=900%2C374&ssl=1" src="https://i1.wp.com/futuristika.org/wp-content/uploads/oxana-yambykh-evening-game.jpg?w=1286&h=534&ssl=1" width="1286" height="534" data-original-width="1286" data-original-height="534" itemprop="http://schema.org/image" title="oxana-yambykh-evening-game" alt="Oxana Yambykh, ‘Evening Game’" style="width: 1286px; height: 534px;" />

Oxana Yambykh, ‘Evening Game’

Pierre_Bismuth,_Collage_whith_Marcel,_2003

<img data-attachment-id="37036" data-orig-file="https://futuristika.org/wp-content/uploads/Pierre_Bismuth_Collage_whith_Marcel_2003.jpg" data-orig-size="498,433" data-comments-opened="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Pierre_Bismuth,_Collage_whith_Marcel,_2003" data-image-description="" data-medium-file="https://i0.wp.com/futuristika.org/wp-content/uploads/Pierre_Bismuth_Collage_whith_Marcel_2003.jpg?fit=498%2C433&ssl=1" data-large-file="https://i0.wp.com/futuristika.org/wp-content/uploads/Pierre_Bismuth_Collage_whith_Marcel_2003.jpg?fit=498%2C433&ssl=1" src="https://i0.wp.com/futuristika.org/wp-content/uploads/Pierre_Bismuth_Collage_whith_Marcel_2003.jpg?w=826&h=719&ssl=1" width="826" height="719" data-original-width="826" data-original-height="719" itemprop="http://schema.org/image" title="Pierre_Bismuth,_Collage_whith_Marcel,_2003" alt="Pierre_Bismuth,_Collage_whith_Marcel,_2003" style="width: 826px; height: 719px;" />

Pierre_Bismuth,_Collage_whith_Marcel,_2003

Sir Peter Blake, ‘Marcel Duchamp’s World Tour: Playing Chess with Tracey’, 2003-05

<img data-attachment-id="37037" data-orig-file="https://futuristika.org/wp-content/uploads/peter-blake-marcel-duchamps-world-tour-playing-chess-with-tracey-2003-05.jpg" data-orig-size="650,484" data-comments-opened="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="peter-blake-marcel-duchamps-world-tour-playing-chess-with-tracey-2003-05" data-image-description="" data-medium-file="https://i0.wp.com/futuristika.org/wp-content/uploads/peter-blake-marcel-duchamps-world-tour-playing-chess-with-tracey-2003-05.jpg?fit=650%2C484&ssl=1" data-large-file="https://i0.wp.com/futuristika.org/wp-content/uploads/peter-blake-marcel-duchamps-world-tour-playing-chess-with-tracey-2003-05.jpg?fit=650%2C484&ssl=1" src="https://i0.wp.com/futuristika.org/wp-content/uploads/peter-blake-marcel-duchamps-world-tour-playing-chess-with-tracey-2003-05.jpg?w=456&h=339&ssl=1" width="456" height="339" data-original-width="456" data-original-height="339" itemprop="http://schema.org/image" title="peter-blake-marcel-duchamps-world-tour-playing-chess-with-tracey-2003-05" alt="Sir Peter Blake, ‘Marcel Duchamp’s World Tour: Playing Chess with Tracey’, 2003-05" style="width: 456px; height: 339px;" />

Sir Peter Blake, ‘Marcel Duchamp’s World Tour: Playing Chess with Tracey’, 2003-05

Wu Mingzhong, ‘Stupid Painter Wu Mingzhong Apologizes to Duchamp’s Work by Playing Chess’, 2006

<img data-attachment-id="37038" data-orig-file="https://futuristika.org/wp-content/uploads/Wu_Mingzhong_Stupid_Painter_Wu_Mingzhong_Apologiz.jpg" data-orig-size="500,412" data-comments-opened="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Wu_Mingzhong,_Stupid_Painter_Wu_Mingzhong_Apologiz" data-image-description="" data-medium-file="https://i2.wp.com/futuristika.org/wp-content/uploads/Wu_Mingzhong_Stupid_Painter_Wu_Mingzhong_Apologiz.jpg?fit=500%2C412&ssl=1" data-large-file="https://i2.wp.com/futuristika.org/wp-content/uploads/Wu_Mingzhong_Stupid_Painter_Wu_Mingzhong_Apologiz.jpg?fit=500%2C412&ssl=1" src="https://i2.wp.com/futuristika.org/wp-content/uploads/Wu_Mingzhong_Stupid_Painter_Wu_Mingzhong_Apologiz.jpg?w=456&h=376&ssl=1" width="456" height="376" data-original-width="456" data-original-height="376" itemprop="http://schema.org/image" title="Wu_Mingzhong,_Stupid_Painter_Wu_Mingzhong_Apologiz" alt="Wu Mingzhong, ‘Stupid Painter Wu Mingzhong Apologizes to Duchamp’s Work by Playing Chess’, 2006" style="width: 456px; height: 376px;" />

Wu Mingzhong, ‘Stupid Painter Wu Mingzhong Apologizes to Duchamp’s Work by Playing Chess’, 2006

Anahita B. + Weirdo & Weirdo, ‘Hors Je’, 2007

<img data-attachment-id="37039" data-orig-file="https://futuristika.org/wp-content/uploads/Anahita_B._-_Weirdo__Weirdo_Hors_Je_2007.jpg" data-orig-size="800,600" data-comments-opened="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Anahita_B._+_Weirdo_&_Weirdo,_Hors_Je,_2007" data-image-description="" data-medium-file="https://i1.wp.com/futuristika.org/wp-content/uploads/Anahita_B._-_Weirdo__Weirdo_Hors_Je_2007.jpg?fit=800%2C600&ssl=1" data-large-file="https://i1.wp.com/futuristika.org/wp-content/uploads/Anahita_B._-_Weirdo__Weirdo_Hors_Je_2007.jpg?fit=800%2C600&ssl=1" src="https://i1.wp.com/futuristika.org/wp-content/uploads/Anahita_B._-_Weirdo__Weirdo_Hors_Je_2007.jpg?w=512&h=384&ssl=1" width="512" height="384" data-original-width="512" data-original-height="384" itemprop="http://schema.org/image" title="Anahita_B._+_Weirdo_&_Weirdo,_Hors_Je,_2007" alt="Anahita B. + Weirdo & Weirdo, ‘Hors Je’, 2007" style="width: 512px; height: 384px;" />

Anahita B. + Weirdo & Weirdo, ‘Hors Je’, 2007

sir-peter-blake-carol-holt-2007

<img data-attachment-id="37040" data-orig-file="https://futuristika.org/wp-content/uploads/sir-peter-blake-carol-holt-2007.jpg" data-orig-size="440,329" data-comments-opened="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="sir-peter-blake-carol-holt-2007" data-image-description="" data-medium-file="https://i2.wp.com/futuristika.org/wp-content/uploads/sir-peter-blake-carol-holt-2007.jpg?fit=440%2C329&ssl=1" data-large-file="https://i2.wp.com/futuristika.org/wp-content/uploads/sir-peter-blake-carol-holt-2007.jpg?fit=440%2C329&ssl=1" src="https://i2.wp.com/futuristika.org/wp-content/uploads/sir-peter-blake-carol-holt-2007.jpg?w=512&h=382&ssl=1" width="512" height="382" data-original-width="512" data-original-height="382" itemprop="http://schema.org/image" title="sir-peter-blake-carol-holt-2007" alt="sir-peter-blake-carol-holt-2007" style="width: 512px; height: 382px;" />

Etcétera…, ‘Errorist Kabaret’, 2009

<img data-attachment-id="37041" data-orig-file="https://futuristika.org/wp-content/uploads/Etcetera..._Errorist_Kabaret_2009.jpg" data-orig-size="800,800" data-comments-opened="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Etcetera…,_Errorist_Kabaret,_2009" data-image-description="" data-medium-file="https://i1.wp.com/futuristika.org/wp-content/uploads/Etcetera..._Errorist_Kabaret_2009.jpg?fit=800%2C800&ssl=1" data-large-file="https://i1.wp.com/futuristika.org/wp-content/uploads/Etcetera..._Errorist_Kabaret_2009.jpg?fit=800%2C800&ssl=1" src="https://i1.wp.com/futuristika.org/wp-content/uploads/Etcetera..._Errorist_Kabaret_2009.jpg?w=770&h=770&crop=1&ssl=1" width="770" height="770" data-original-width="770" data-original-height="770" itemprop="http://schema.org/image" title="Etcetera...,_Errorist_Kabaret,_2009" alt="Etcétera…, ‘Errorist Kabaret’, 2009" style="width: 770px; height: 770px;" />

Etcétera…, ‘Errorist Kabaret’, 2009

Sanja Iveković, ‘Eve’s Game’, 2012

<img data-attachment-id="37042" data-orig-file="https://futuristika.org/wp-content/uploads/Sanja-Iveković-‘Eves-Game’-2012-performance-avec-Enrico-Lunghi-Mudam-Luxembourg.-Photo-Eric-Chenal.jpg" data-orig-size="420,280" data-comments-opened="" data-image-meta="{"aperture":"9.5","credit":"","camera":"M9 Digital Camera","caption":"","created_timestamp":"1338646292","copyright":"","focal_length":"28","iso":"640","shutter_speed":"0.066666666666667","title":"","orientation":"1"}" data-image-title="Sanja Iveković, ‘Eve’s Game,’ 2012, performance avec Enrico Lunghi, Mudam, Luxembourg. Photo Eric Chenal" data-image-description="" data-medium-file="https://i2.wp.com/futuristika.org/wp-content/uploads/Sanja-Iveković-‘Eves-Game’-2012-performance-avec-Enrico-Lunghi-Mudam-Luxembourg.-Photo-Eric-Chenal.jpg?fit=420%2C280&ssl=1" data-large-file="https://i2.wp.com/futuristika.org/wp-content/uploads/Sanja-Iveković-‘Eves-Game’-2012-performance-avec-Enrico-Lunghi-Mudam-Luxembourg.-Photo-Eric-Chenal.jpg?fit=420%2C280&ssl=1" src="https://i2.wp.com/futuristika.org/wp-content/uploads/Sanja-Iveković-‘Eves-Game’-2012-performance-avec-Enrico-Lunghi-Mudam-Luxembourg.-Photo-Eric-Chenal.jpg?w=452&h=301&ssl=1" width="452" height="301" data-original-width="452" data-original-height="301" itemprop="http://schema.org/image" title="Sanja Iveković, ‘Eve's Game,’ 2012, performance avec Enrico Lunghi, Mudam, Luxembourg. Photo Eric Chenal" alt="Sanja Iveković, ‘Eve’s Game’, 2012" style="width: 452px; height: 301px;" />

Sanja Iveković, ‘Eve’s Game’, 2012

Eugeni Bonet, ‘Duchamp (retard en vídeo)’, 1986-1987

<img data-attachment-id="37044" data-orig-file="https://futuristika.org/wp-content/uploads/Eugeni_Bonet_Duchamp_retard_en_video_1986-1987.jpg" data-orig-size="706,571" data-comments-opened="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"}" data-image-title="Eugeni_Bonet,_Duchamp_(retard_en_video),_1986-1987" data-image-description="" data-medium-file="https://i2.wp.com/futuristika.org/wp-content/uploads/Eugeni_Bonet_Duchamp_retard_en_video_1986-1987.jpg?fit=706%2C571&ssl=1" data-large-file="https://i2.wp.com/futuristika.org/wp-content/uploads/Eugeni_Bonet_Duchamp_retard_en_video_1986-1987.jpg?fit=706%2C571&ssl=1" src="https://i2.wp.com/futuristika.org/wp-content/uploads/Eugeni_Bonet_Duchamp_retard_en_video_1986-1987.jpg?w=373&h=301&ssl=1" width="373" height="301" data-original-width="373" data-original-height="301" itemprop="http://schema.org/image" title="Eugeni_Bonet,_Duchamp_(retard_en_video),_1986-1987" alt="Eugeni Bonet, ‘Duchamp (retard en vídeo)’, 1986-1987" style="width: 373px; height: 301px;" />

Eugeni Bonet, ‘Duchamp (retard en vídeo)’, 1986-1987

Sanja Ivekovic, ‘Eve’s Game’, 2009

<img data-attachment-id="37045" data-orig-file="https://futuristika.org/wp-content/uploads/Sanja-Ivekovic-Eve’s-Game-2009-October-10th-16h-@-Bétonsalon-Paris.jpg" data-orig-size="376,250" data-comments-opened="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Sanja Ivekovic, ‘Eve’s Game’, 2009, October 10th, 16h @ Bétonsalon, Paris" data-image-description="" data-medium-file="https://i1.wp.com/futuristika.org/wp-content/uploads/Sanja-Ivekovic-Eve’s-Game-2009-October-10th-16h-@-Bétonsalon-Paris.jpg?fit=376%2C250&ssl=1" data-large-file="https://i1.wp.com/futuristika.org/wp-content/uploads/Sanja-Ivekovic-Eve’s-Game-2009-October-10th-16h-@-Bétonsalon-Paris.jpg?fit=376%2C250&ssl=1" src="https://i1.wp.com/futuristika.org/wp-content/uploads/Sanja-Ivekovic-Eve’s-Game-2009-October-10th-16h-@-Bétonsalon-Paris.jpg?w=453&h=301&ssl=1" width="453" height="301" data-original-width="453" data-original-height="301" itemprop="http://schema.org/image" title="Sanja Ivekovic, 'Eve’s Game', 2009, October 10th, 16h @ Bétonsalon, Paris" alt="Sanja Ivekovic, ‘Eve’s Game’, 2009" style="width: 453px; height: 301px;" />

Sanja Ivekovic, ‘Eve’s Game’, 2009

Elena del Rivero, ‘Oeil d´âme’

<img data-attachment-id="37046" data-orig-file="https://futuristika.org/wp-content/uploads/Elena-del-Rivero-Oeil-d´âme.jpg" data-orig-size="350,299" data-comments-opened="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Elena del Rivero, ‘Oeil d´âme’" data-image-description="" data-medium-file="https://i2.wp.com/futuristika.org/wp-content/uploads/Elena-del-Rivero-Oeil-d´âme.jpg?fit=350%2C299&ssl=1" data-large-file="https://i2.wp.com/futuristika.org/wp-content/uploads/Elena-del-Rivero-Oeil-d´âme.jpg?fit=350%2C299&ssl=1" src="https://i2.wp.com/futuristika.org/wp-content/uploads/Elena-del-Rivero-Oeil-d´âme.jpg?w=620&h=530&ssl=1" width="620" height="530" data-original-width="620" data-original-height="530" itemprop="http://schema.org/image" title="Elena del Rivero, 'Oeil d´âme'" alt="Elena del Rivero, ‘Oeil d´âme’" style="width: 620px; height: 530px;" />

Elena del Rivero, ‘Oeil d´âme’

Yasumasa Morimura, ‘Self-portrait as Marcel Duchamp with Yoko Ono white pieces’, 2010

<img data-attachment-id="37047" data-orig-file="https://futuristika.org/wp-content/uploads/Yasumasa-Morimura-Self-portrait-as-Marcel-Duchamp-with-Yoko-Ono-white-pieces-2010.jpg" data-orig-size="640,512" data-comments-opened="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Yasumasa Morimura, ‘Self-portrait as Marcel Duchamp with Yoko Ono white pieces’, 2010" data-image-description="" data-medium-file="https://i1.wp.com/futuristika.org/wp-content/uploads/Yasumasa-Morimura-Self-portrait-as-Marcel-Duchamp-with-Yoko-Ono-white-pieces-2010.jpg?fit=640%2C512&ssl=1" data-large-file="https://i1.wp.com/futuristika.org/wp-content/uploads/Yasumasa-Morimura-Self-portrait-as-Marcel-Duchamp-with-Yoko-Ono-white-pieces-2010.jpg?fit=640%2C512&ssl=1" src="https://i1.wp.com/futuristika.org/wp-content/uploads/Yasumasa-Morimura-Self-portrait-as-Marcel-Duchamp-with-Yoko-Ono-white-pieces-2010.jpg?w=662&h=530&ssl=1" width="662" height="530" data-original-width="662" data-original-height="530" itemprop="http://schema.org/image" title="Yasumasa Morimura, 'Self-portrait as Marcel Duchamp with Yoko Ono white pieces', 2010" alt="Yasumasa Morimura, ‘Self-portrait as Marcel Duchamp with Yoko Ono white pieces’, 2010" style="width: 662px; height: 530px;" />

Yasumasa Morimura, ‘Self-portrait as Marcel Duchamp with Yoko Ono white pieces’, 2010